Made by Selora Oy
01 — Principle
02 — Field studies
Each frame drifts at its own rate. Nothing here shares a velocity.
03 — Foreground
The nearest plane travels the greatest distance across the viewport. It exits before you finish reading it — that departure is what your eye reads as proximity.
04 — Midground
The middle plane carries the subject. It drifts enough to feel alive, never enough to lose the composition it is responsible for holding together.
05 — Horizon
The furthest plane is almost fixed. Its stillness is the reference every other layer is measured against. Remove it and the depth collapses instantly.
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