Ardenwood Crescent
Scroll to wake the street.
Est. 1998 — Valley & Coast
Twelve hours apart
The Crescent
01
Spanish Mediterranean
Hand-troweled plaster, a clay tile roof aged on purpose, and an arcaded loggia that holds the last hour of sun. The courtyard was designed around an olive tree that predates the street.
02
Modern Architectural
Two storeys of glazing set between quarried stone piers. The stair is a single folded plate of blackened steel. At dusk the whole ground floor reads as one continuous room, inside and out.
03
English Brick Estate
Tumbled brick, limestone surrounds, and a slate roof with two gables facing the crescent. Inside, quarter-sawn oak and a library that keeps its own fireplace. Built to look like it has always been here.
Interiors
Keep scrolling — the room moves sideways.
Portfolio
The broker
I represent eleven to fourteen homes a year. Not more. Every one of them I have walked at dawn, at noon, and after dark, because that is the only way to know what you are actually selling.
Twenty-two years in architecturally significant residential property, the last nine of them independent. I work with a photographer, a stylist and a structural surveyor I have used since 2011, and I do not list a house until all three have been through it.
How it goes
Two hours, no valuation talk. I need to see the house the way a buyer will — where the light lands, what you apologise for, what you are proud of.
A written position with comparable evidence, the three prices I think it trades at, and which of them I would actually take. No flattery pricing.
Styling, survey, photography at the right hour, and a private release to my list before anything goes public. Most of my sales happen in this window.
I run every negotiation myself and you hear from me the day something changes, including when nothing has. Through to keys.
Private enquiry
Viewings on the crescent are by appointment, generally after six so you can see the houses lit. Everything you send stays between us.
